In light of SkyMall folding…

27 01 2015

For those of you who have never travelled on a domestic flight in the US, there’s a magazine in the seat pocket of most planes called SkyMall. Well, an announcement was made last week that SkyMall was filing for bankruptcy.

So what was SkyMall? Basically a mail-order shopping catalogue of cheap (and not so cheap), tacky, crud that most people most of the time would never use. But it was always worth a chuckle while waiting for the plane to take off, or while in the air.

I was going through some photos recently, and was reminded of SkyMall because I took a photo of this page on my last trip to the US around mid-October (i.e. just before Halloween). It’s an example of all that was tacky about SkyMall 😉 A remote-controlled tarantula. Yea, just what I need… NOT!

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What the…?

27 01 2015

I was working on a Community Quilt yesterday (separate blog post to come), when I happened to turn over to look at the stitch tension on the back. I was close to the edge, and this is what I saw on one selvedge:

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This is what I saw on the other selvedge:

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Now, I don’t know about you but my immediate reaction was ‘What the…?’ I can understand the copyright on the fabric (though how on Earth a ship’s wheel and some stripes relate to The Wizard of Oz movie is beyond me… And yes, that’s ALL that design was – just more of what you see in the pictures above), but the ‘License is required for any use beyond individual consumption’??? What’s up with that?

So I researched it a little bit and found some interesting articles on the internet, none of which I can take as more than opinion, though the Tabberone one looks reasonably authoritative:

I still don’t know what all this means for the consumer or for the shop owner that sells these ‘licensed’ fabrics. I particularly don’t know what the ‘license required for any use beyond individual consumption’ statement means to either consumers or shop owners. And whether the licence is for just one country (which one?) or many (which ones?) or all? It can’t be ‘all’ as every country has different copyright and trademark laws.

What does ‘beyond individual consumption’ mean? If you have purchased fabric for a project and have cut it up and used it, does that mean you’ve individually consumed it? Or if you sell that item or give it away, is that still classed as ‘individual consumption’? Or are the lawyers having a lend of us all and scaring us into submission with words that sound scary but may well be meaningless and unenforceable?

Personally, if I saw that ‘personal consumption’ statement on the selvedge of fabric I was intending to buy, I’d ask the shop owner to explain, and if I couldn’t get a satisfactory explanation, I’d refuse to buy it AND I would ask the shop owner to tell the manufacturer’s agent why customers weren’t buying it. If I was able to remember the manufacturer, I’d also drop them an email asking them to explain what it meant AND telling them why I wouldn’t buy it when the meaning is not at all clear.

And what if the fabric had been cut by a store into fat quarters and offered for sale without selvedges? How is the purchaser to know that some weird restriction or limitation may exist on the use of that fabric?

This sounds like a legal minefield! Surely designers want to design fabrics and manufacturers want to sell those designs, but if they start putting restrictions on the use of the fabric, then they won’t have a business. And only the lawyers will have won. Again.

It’d be like buying a dozen eggs and then being told that legally you can only use them for yourself and no-one else. Stupid.

If anyone can shed some light on what these printed license and copyright statements on fabric mean to the final purchaser of the fabric, I’d appreciate it if you could add your comments below.





Making plans…

26 01 2015

I’m off to the US in a month or so, and I realised that my calendar was getting chock-a-block full of activities — I think I’ll need a holiday by the time I get home 😉

  • Day 1: Drive to Perth (2 hours), fly to Sydney (5 hours), overnight at Sydney airport
  • Day 2: Fly to Dallas Forth Worth (16 hours), go to a concert that night, overnight at DFW airport
  • Day 3: Fly to San Antonio, stay overnight with friends
  • Day 4: Friends take me to Texas Hill Country where I’ll check in for my quilting workshop
  • Days 5 to 9: Five-day quilting workshop, show and tell etc. in the evenings
  • Day 10: Friend shows me Texas Hill Country, then back to San Antonio airport to fly to Miami and meet up with another friend
  • Day 11: Friend and I board our cruise ship
  • Day 12: At sea, relaxing
  • Day 13: Cozumel, Mexico – spend day at a beach resort
  • Day 14: Trujillo, Honduras – spend day on a walking tour  of a nature park (shore excursion)
  • Day 15: Belize – spend day at Mayan ruins 2 hours from Belize City (shore excursion)
  • Day 16: At sea, relaxing (do a cooking class on board that day)
  • Day 17: Key West, Florida – likely bike riding, stand-up paddle boarding or kayaking, visit Hemingway’s house, have Key Lime Pie!
  • Day 18: Disembark at Miami; possible culinary tour of Little Havana?
  • Day 19: Everglades private tour; culinary tour of South Beach
  • Day 20: Fly to Pittsburgh, have dinner with friends
  • Day 21: Day off in Pittsburgh — nothing planned as yet
  • Day 22-24: Attend and speak at conference in Pittsburgh; participate in evening social networking activities
  • Day 25-26: Fly from Pittsburgh to Dallas Fort Worth to Sydney to Perth then home (no overnight stays, except on the plane from DFW to SYD)

I wonder if I planned to fit in too much? 😉





More locals

25 01 2015

On my morning walk I see lots of livestock (horses and cattle mainly) and birds. The cattle usually hang out in a couple of paddocks and are often quite some distance from the path. But this morning several of them were close to the fence, and while wary, didn’t run away when I approached with my phone to take some pictures of them. Unfortunately, photographing black cow faces is as hard as photographing black cats 😉

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New locals

25 01 2015

Sometime around Christmas, a neighbourhood property (5 acres) got a few new residents. First were two miniature horses, followed a few days later by about six Dorper sheep (one ram, some ewes, and some juveniles). The horses are very friendly and will come running to the fence when I walk by on my morning walk.

I got to meet the owner this morning, and he said they just love carrots and he would be fine with me bringing some to feed them when I walk past. He also told me the names of the horses — Sandy (the female with the blond hair and tail) is about four years old, and Angus (brown mane) is about a year old. They are just the cutest things!!!

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Community Quilt 183

25 01 2015

Some quilts (like #182) sing to you; others make you want to get them off your machine table ASAP… #183 was one of those. I didn’t like the fabrics (I suspect some were quite old), the colours, or the HUGE amount of biased edges and wonky blocks. It was one of those quilts that has to be stitched into submission.

Normally for a smallish quilt like this, with this many fabric variations, I’d just stipple it all over nin a neutral thread and not worry about stitching in the ditch. But it was obvious as soon as I put this quilt on the machine’s table that I’d have to stitch in the ditch otherwise I’d end up with massive puckers if I just stippled it, even if I started from the centre (as I usually would).

So, even though I wanted this one off my table ASAP, it had to remain on there long enough for me to stitch in the ditch for almost ESS (‘every stinking seam’), and then for the stippling.

I was glad to be done with it. Fortunately, it was small and didn’t take too long.

(Click on a photo to view it larger)

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Threads used:

  • Top: Fil-Tec Harmony ‘Spring’ (40 wt, cotton, colour 14062)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (white)

 





Community Quilt 182

25 01 2015

Sometimes a quilt just sings to you — this was one of those. I loved its simplicity and how the quiltmaker had used all solids in graduated colour ranges in each rail fence block. And the use of various widths in the white sashing strips.

I decided to quilt it with a yellow thread — enough to show up on the white, but not enough to be overbearing and dominate the simple beauty of the coloured strips.

First, I stitched in the ditch around each coloured strip. Then it took me a while of looking at it to figure out how best to quilt it. I went through lots of options in my head and drawing over it with my finger 😉 Eventually, I decided on an all-over squared stipple motif and was about to start, but at the last moment I decided on really big swirly spirals, with about a half inch between the lines in each spiral.

I didn’t mark anything — all these spirals were free-motion.

I really like how it turned out. And I liked how the yellow added just a bit more life to an already vibrant and colourful quilt. The back looks pretty awesome too 😉

(Click on a photo to view it larger)

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Back:

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Threads used:

  • Top: Isacord (40 wt, trilobal polyester, colour 0600)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (light tan)

 





Community Quilt 181

25 01 2015

This was a very ‘busy’ quilt, with lots of tiny half-square triangles and many many different fabrics, including an equally busy fabric in the border.

How to quilt it? I realised that doing anything other than a simple all-over motif would be lost in the ‘busy-ness’ of this quilt, so I opted for a variation of my ‘go to’ open headband motif. Instead of arcs, the centre part of each motif is a paisley (or a really big comma!).

I used a variegated thread in autumnal colours in all parts of this quilt, including the stippling in the border.

(Click on a photo to view it larger)

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Threads used:

  • Top: Fil-Tec Harmony ‘Autumn’ (40 wt, cotton, colour 14081)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (gray)

 





Community Quilt 180

25 01 2015

I liked the colours in this quilt — they were very cool and calming. And fresh.

How to quilt it? As usual, I started by stitching in the ditch around the main elements — the white strips in the middle and the borders. Then I tackled the white strips. I emulated the diamonds in the coloured strips stitching straight lines (with my Line Tamer ruler) from point to point (matching the side points of the diamonds in the coloured strips). Then I did a tight up and down ribbon stitch in the ‘background’ of these diamonds, causing them to ‘pop’.

Next, I did a wavy matrix in each coloured diamond (on-point square) in the coloured strips. But the setting triangles were too puffy, so I stitched a 3-petal flower in those to subdue the puffiness.

In the white border, I repeated the up and down ribbon motif, and then did a very large version of it in the widest border. In that border, I didn’t want the outermost points to be even, so I varied their length.

In the other borders I either stitched straight lines about a half inch from the seam lines, or left them unstitched (all the spotted green borders).

I was pleased with how it turned out — this was quite a ‘modern quilt’, and I hope my stitching showed that. And the back looked pretty awesome too 😉

(Click on a photo to view it larger)

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Back:

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Threads used:

  • Top: Fil-Tec Glide ‘Linen’ (40 wt, trilobal polyester, colour 10WG1)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (white)

 





Community Quilt 179

25 01 2015

This was a big quilt with a lot of empty space. Each block was different but most had stars or diagonal lines, which helped me decide how to quilt the empty blocks.

First, I stitched in the ditch around each of the blocks, then around the main elements within each pieced block. To make these elements ‘pop’, I quilted the background only, in a simple smallish stipple.

To give definition to the empty blocks, I echo quilted about half to one in from the joining seam lines, then stitched a wonky 8-point star in each to stop them puffing too much. Finally, I did a large stipple in the main border and left the green framing border unstitched.

(Click on a photo to view it larger)

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Back:

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Threads used:

  • Top: Fil-Tec Glide ‘Linen’ (40 wt, trilobal polyester, colour 10WG1)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (white)