Community Quilt 112

2 10 2013

I wasn’t very inspired by the fabrics or colours in this disappearing nine-patch quilt. How to quilt it?

I decided to do a continuous line all-over design — my squared-off open headband motif, which I’ve decided to rename to ‘WiFi’ as the shapes look just like the WiFi icon you see on your smartphone or tablet! 😉 (and the RSS feed symbol)

I used a variegated thread in greens and yellows to blend with the quilt top fabrics.

(Click on a photo to view it larger.)

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Back:
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Threads used:

  • Top: Superior King Tut ‘Crocodile’ (40 wt, cotton, colour #943)
  • Bottom: Wonderfil Deco Bob (80 wt, colour DB 414)

 





Community Quilt 111

2 10 2013

I wasn’t sure about this quilt when I pulled it out of the packet during our quilt retreat. Just blue and white? And then I had an awful time with my machine stitching in the ditch around each block, until my friend (and Handi Quilter dealer) Michelle took a look at the machine and made a small adjustment to the ‘finger’ in the bobbin area. Then it stitched fine!

I started it at the retreat, but as the power went out on our last night, I didn’t get to finish it there, so I finished it this weekend just gone. I had in mind to do something in the white parts, possibly some sort of lattice effect following the straight blue lines in the white and blue fabric. But when I looked more closely, I saw that none of the lines lined up with the lines in the other blocks, so with a lot of marking and calculating required, stitching a straight line lattice just wasn’t going to work for me.

Instead, I recalled some ‘matrix’ designs that Leah Day had done, so I decided to do a wavy diagonal matrix in the white blocks, leaving about a 1/2″ between the lines. These are super easy to do and you don’t have to be perfect 😉 Also, if you stitch the matrix correctly, there’s no stopping and starting, except at the beginning and end of the block. I really liked the effect — I achieved a lattice effect without having to use rulers or mark lines. And I think the curves add an organic nature to the quilt that straight lines just don’t have.

For the borders, I just stitched a straight line 1/2″ from the edges, then in the dark blue border I stitched loops (like lower case ‘L’s or ‘E’s in cursive writing) between the straight lines. I left the blue sashing strips unadorned.

(Click on a photo to view it larger.)

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Back:

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Threads used:

  • Top: Fil-Tec Glide ‘Rock Navy’ for the stitch in the ditch around each block (40 wt, trilobal polyester, colour #30001); Fil-Tec Glide ‘Cream’ for the lattice work (40 wt, trilobal polyester, colour #20001)
  • Bottom: Bobbinfil in black and white depending on which thread I was using in the top

 





Community Quilt 110

2 10 2013

This was another small quilt I quilted at our retreat. It had already been finished and bound, and ‘stitch in the ditch’ around the blocks had been done, but the Community Quilts coordinator asked if I could rescue it and liven it up a bit.

It was a such a pastel log cabin quilt, with lots of small flower fabrics used — how to quilt it? I decided on an all-over continuous line motif of large and small arcs, emulating flowers.

(Click on a photo to view it larger.)

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This was the quilt while it was on my machine. On the right is how it looked when I got it — fairly plain, with just the stitch in the ditch quilting. I think I livened it up a bit with the quilting.

Threads used:

  • Top: Wonderfil Mirage in a variegated wine/cream/orchid/yellow (rayon, 30 wt, colour #SD 32)
  • Bottom: Bobbinfil (white)




Community Quilt 109

2 10 2013

What a pretty little quilt this was! All those bright autumn tones and cheery leafy fabrics.

I started by stitching in the ditch around the blocks just to stabilise the quilt, then I outline quilted the centre block of leaves. My original intention was to do the same in the border, but it took quite a while just to do the centre, so I abandoned that idea quick smart!

In each French Braid block, I did a continuous line quilting design of leaves, with more leaves in the sashing strips. And keeping with the leaf theme, I did HUGE leaves in the border 😉

This was another quilt I quilted at the retreat so I can’t remember what thread I used — sorry! (it was a variegated cotton thread in autumnal colours…)

(Click on a photo to view it larger.)

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Community Quilt 108

2 10 2013

I quilted this quilt during our annual quilt retreat weekend. I could have followed the geometric blocks, but instead decided to soften them with feathers — everyone likes feathers, right? 😉

I left the first and third borders unstitched, did some straight line ruler work (with my Line Tamer ruler) in the half square triangles in the second border, and then some half feathers and spirals in the black border.

I really liked how the variegated thread blended beautifully with this quilt top — thanks for letting me use it, Bobbie!

(Click a photo to view it larger.)

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Back:
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Threads used (from memory!):

  • Top: Fil-Tec Harmony ‘Driftwood’ for the feathers and one border (40 wt cotton); Floriani embroidery thread in a dark charcoal for the black border (40 wt rayon?)
  • Bottom: Bobbinfil (white)




Community Quilt 107

2 10 2013

This was one HUGE quilt! I reckon it took me well over 12 hours to quilt.

First, I stitched ESS (‘every stinkin’ seam) around all the blocks to stabilise it. Then I tackled one block at a time, deciding how to quilt it, then selecting thread colours, then doing the quilting. Some of the quilting is VERY dense and took ages.

I’m not going to attempt to document the threads I used as there were so many, and as I did this quilt over a couple of weekends, with a week-long trip to Bali in between 😉 There’s no way I remember what I used!

(Click on a photo to view it larger.)

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This photo isn’t as good as I would’ve liked… The bubbles (baubles?) in the Christmas tree are all stitched in gold metallic thread and shine brightly 😉

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Yes, I stitched every second row of that checkered fabric, vertically and horizontally…

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I stitched the centre flowers in the stars in gold metallic thread and really liked the effect

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Another one where I stitched every single cross-hatch in the fabric…

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I really like McTavishing, but it uses an incredible amount of thread and takes a long time, so I tend to only do it in small areas, like the background of this tulip block. To make the tulip ‘pop’ even more, I echo stitched about a quarter inch from it before dong the McTavishing.

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I used a gingko leaf motif in the background. I hadn’t stitched that design in ages — I should use it more often as it’s a great filler.

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I wasn’t sure what to do in the border as this quilt had a LOT of quilting. So I decided to do large ‘petals’ with a smaller inner petal (or flame), and then once I’d finished all around the quilt, I went back and echo stitched around them all. I quite liked the final effect.

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Everyone’s getting behind Freo

27 09 2013

It’s the AFL Grand Final tomorrow and for the first time in their 19-year history, the Fremantle Dockers (aka Freo) are one of the contenders. Back in the day my nephew played for them, and I used to be a member and go to all the home games in Perth.

Today — Grand Final eve — I popped into town to do some shopping and pretty much every store was decorated with purple balloons etc. But two decorations took my eye. Coles had done a display of purple and cream potatoes, and the Home Hardware store had decorated two of their garden ornament kangaroos in the opposing team uniforms — there was even a gap for the joey’s head to pop out!

Go FREO!

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2013 Challenge

26 09 2013

Last weekend was my annual quilt retreat weekend with ‘the girls’. This year Michelle set our challenge — an abstract of one of the five senses. The sense I picked out of the hat was taste; the others selected one of the other four senses at random.

I’m continually blown away by the creativity of my friends when we do these annual challenges, and this year was no exception. Here’s how we interpreted (in abstract) our selected sense… (Click on a photo to view it larger.)

Michelle: Smell

Michelle titled her art quilt ‘Odiferous’ (aka ‘Whiffy Wafts’!), with the hombre (?) fabrics graduating from small whiffs to full on wafting smells. I love how she used the graduated light to dark grey fabrics in the border especially, and the graduated coloured fabrics for the wafts. And her quilting was to die for — so small and detailed! The entire quilt is about 30×36″, so it’s not big.

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Glenys: Sight

Glenys knew what she wanted to do as soon as she got her challenge last year 😉 Sight = eyes = optical illusions, so she created this stunning — and big — black and white quilt that changes shape as you look at it from different angles. at times, the centre pops like a big orb, and from other angles, you can see a huge ‘X’. But the reality is that it’s all an illusion — every black and white block is the same size and shape. The illusions are created by the placement of the small appliqued black and white squares in the centre blocks.

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Flora: Hearing

Flora had lots of discussions with her husband and grandsons on how to approach her selected sense: ‘hearing’. Her grandsons were keen on her doing something with music, particularly guitars. Flora’s an embroiderer so she added quite a bit of hand stitching and small and large beads as embellishments to her lovely guitar-themed art quilt, which is based on Robbi Joy Eklow‘s style of abstracting objects such as guitars.

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Bobbie: Touch

Bobbie blindfolded us (thanks Qantas for all those eye masks I’ve kept over the years ;-)) and got us to come up to her big cutting table where we had to feel different parts of her quilt (certain bits stuck out, were soft, hard, feathery etc.). As with many of her quilts, her inspiration was the earth and the seasons. Her tree limbs are feet digging into the ground and hands reaching for the sky, and she incorporated aspects of all of nature’s seasons going around the quilt. She machine embroidered the apple blossoms and the snowflakes (?), and the texture in the summer and autumn leaves comes from the batik fabrics she used for them. Her quilting for each season and sky/earth aspect reflects that season or element of nature. This is a large quilt and now has pride of place in Bobbie’s entry hall!

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Rhonda: Taste

I also blindfolded the girls, then fed them small pieces of citrus fruits — lemon, lime, grapefruit, and orange — to see if they could distinguish between sour, bitter and sweet. Most spat out the lime, lemon, and grapefruit and were glad that a piece of sweet orange was at the bottom of the bowl I’d given them 😉 Once they’d removed their blindfolds, I revealed my piece, which I’d mounted on black batting on a portable design wall. I got lots of ‘ooos’ and ‘ahhhs’ and some ‘OMGs!!’, with Michelle saying that I MUST MUST enter this piece in next year’s QuiltWest. Each panel is about 15×21″(details on the process for creating this piece start here: https://rhondabracey.com/2013/09/20/2013-challenge-coming-to-a-decision/)

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And then the reveal was all over for another year. We’re taking a break from a formal challenge in 2014 — three of us are still working and two in particular are finding it hard to complete the challenge in amongst life, work, family and all sorts of other commitments.

However, our ‘challenge’ for 2014 is to come up with at least three challenge themes each to go into a hat for future years. We’ve now been doing the challenge and retreat at Bobbie’s beautiful house for five years, so we’ve each had a go at setting a challenge. I know I’ve learned an awful lot by pushing and extending myself in these challenges, and I’m sure the others have too.

Finally, one of the things we do on the evening that we do the reveal is have ‘show and tell’ of some of the other things we’ve worked on during the year, so these next photos are from ‘show and tell’. Mine aren’t included as I couldn’t take photos as well! If I get photos of mine from the others, I’ll add them later.

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Bobbie’s blue and white double wedding ring quilt that she started in 2012 — all finished!

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Glenys’ cat quilt, also started in 2012

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One of the quilts Glenys made for her shop to feature some of the new Halloween fabrics. Just love that owl!

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Another that Glenys made for her shop featuring hexagons in a particular fabric range

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One of Gleny’s staff made this hexagon quilt. Heaven knows how she did that binding!

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This was a community quilt I worked on over the weekend. I took the photo to show the effect that quilting has on a quilt — it was quite plain with just ‘stitch in the ditch’ as you can see in the area of the lower right, so the community quilt ladies asked me to liven it up a bit.

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One of the pieces Michelle worked on during the weekend — this will be a banner for her shop’s stand at craft/quilt fairs. One of her staff did the centre applique work — Michelle did the stunning quilting in just a couple of hours on Bobbie’s Sweet Sixteen.





On my way to my annual quilting retreat…

22 09 2013

I forgot I had these photos on the camera! Our annual quilting retreat was held on a very stormy weekend in September (we usually have GORGEOUS springtime weather). The drive down for me on the Friday morning was a white knuckle one for about 40 km or more (Boyanup to Kirup, for those familiar with the south-west of Western Australia) as the rain was super heavy and the wind was howling. It took me 90+ minutes to do a drive that normally takes about 75 minutes.

Here’s a photo from the car of the weather up ahead (I was north of Dardanup at this stage, so it hadn’t hit with a vengeance — yet…):

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And between Dardanup and Boyanup there’s a patch on the road where you can see that the dairy cows cross regularly. In all the years I’ve travelled on that road, I’ve never seen the cows crossing, but they were crossing that Friday morning 😉 It was a big herd, too. The farmer had on wet weather gear but he was soaked — and splashed with all manner of cow excrement…

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We had raging storms all Saturday and Sunday too, and on Sunday night, the last night of our retreat, the power went out about 11 pm. So we all went to bed, fully expecting the power to be back on the next morning. It wasn’t. Fortunately the people we were staying with had a wood tile fire linked into their hot water system, and a manual switch to switch over to town water from their usual rainwater tank, so the girls heading back to Perth got to have a shower next morning.

The power was out for our hosts (and their town and about four other surrounding towns) for well over 60 hours. Poor buggers.





Bali 2013: Other observations

20 09 2013

Here are some other observations about my trip to Bali. Nearly all relate to Perth International Airport and the flights on Garuda Indonesia.

Perth International Airport (PIA)

  • The upgrade to this tired airport can’t come soon enough. On leaving, we had to climb several flights of stairs to get to the jetway, and on our return, we got dumped on the tarmac several hundred metres from the terminal, had to come down an ancient set of roll-up stairs and walk through the rain to the terminal, then up more stairs to immigration etc. I don’t know how those who were in wheelchairs or using walking sticks got on, or those with very young children. An INTERNATIONAL airport? I don’t think so…
  • What is up with people???? If you are coughing, spluttering, and are obviously sick, for heavens sake put your hand over your mouth/nose at the very least!!! And use a tissue. SOOO many people were coughing and spluttering in the waiting area right next to the Qantas Lounge at PIA that I left and moved down towards the snack bars.
  • TAKE A SHOWER before you come to the airport and get on a plane! Cramped conditions and long flights (EVERY flight from PIA is a long flight — some much longer than others) mean that your body odour is sickening to your nearby passengers. To the young girl who plopped herself down two seats away from me at the waiting area for Malaysian Airlines, thank goodness I wasn’t on your flight and sitting next to you. I would have been physically ill had I not been able to change seats — your BO was that strong and obnoxious.
  • To the Velluto food people — PLEASE use some Tandoor ANYTHING in your Tandoori Chicken wraps. They had absolutely NO flavour and were like eating soggy cardboard. If the chicken had come anywhere near a Tandoor oven, I’d be very surprised. And I’d be surprised too if it had even been marinaded in a Tandoor sauce. Bland is too good a description for that waste of $9.50!
  • If you set a gate, then stick to it. Getting people to switch gates some 20 minutes before the flight isn’t convenient. Fortunately PIA only has five gates, and the area is small.
  • Be clear in your announcements. Garuda Flight 725 (to Jakarta) sounded very much like Garuda Flight 729 (to Denpasar), and quite a number of people ended up changing gates several times before realising that they were two different flights for the same airline leaving at approximately the same time.
  • If you sit near the Qantas Lounge, you can hook up to their free WiFi 😉

Outbound flight

  • I quite like Garuda — their staff are delightful, and the food’s pretty good. But there’s no excuse for not having ANY English language immigration entry cards on one of the their twice-daily flights from Perth to Denpasar. I can only think someone forgot to pack the correct bundle. Fortunately, I’d noticed an English version in the back of the airline magazine, so was able to complete the immigration and customs declaration without needing to try to figure out what the Bahasa Indonesian version said.
  • The flight left 45 minutes late, so was nearly an hour late into Denpasar. That was a long time for my 80+ year old parents and the driver to wait. Mum waited in an area full of mostly men in the middle of the night — while she was safe, it wouldn’t be something she would have enjoyed.
  • Farts on a plane. I think Qantas seats must have activated charcoal impregnated cushions as I rarely smell farts on a plane even on the long haul from Australia to the US. But on this flight, phew! There were some ripe ones… And it wasn’t one person either, as the smells varied. I’ll say no more.
  • The meal I had was a satay beef, which was nice, but needed some salt and/or pepper. None was provided in the cutlery pack, but the crew did bring them when asked.
  • No water was provided at all, unless asked for.
  • Flight was about half full, so the seat between me and the window seat passenger was empty. Bonus!

Denpasar airport (departure)

  • You go through at least three security and name/boarding pass checks at this airport (it may have been five or more). And when you’re finally in the passenger-only duty free area after having gone through immigration etc. you think you can do what you can do at every other international airport I’ve been to in the past decade or so, and that’s buy a bottle of water as you emptied your previous bottle before going through the security checks. And then you find that there’s ANOTHER security check just before you get on the plane and you have to toss that water bottle in a bin.
  • In this age of computers, why are people checking boarding passes BY HAND? I can’t recall that from last year, so maybe their computer checking systems were down. At least three of the checks were done by hand and marked off a printed list with pen.
  • There are nowhere near enough seats at this airport to deal with the passengers on a single flight, let alone many flights. Hopefully the new airport (due to open in a week or two) will have far better waiting facilities. If they want us at the airport at least 2 hours before the flight, then we need somewhere to sit.

Inbound flight

  • As for the outbound flight, this one was about half full. I was seated in a row with two adults and three kids under six. The mother suggested I ask to be seated two rows further back in an empty row — I was happy to oblige! I even got to spread out and lay down. However, there were another two young children behind me in the new row, one of whom (at least) had an awful cold/cough and did NOT cover his/her mouth/nose each time they coughed/sneezed/spluttered. I won’t be happy if I catch something…
  • Meal on the way home was a chicken curry, with a really HOT sambal in a packet (ABC brand, ‘Asli’?), which was excellent.
  • No water provided.

Bali

  • For an island dealing with rapid expansion of tourism and all the infrastructure changes and stresses that entails, I was surprised to see very few dual flush toilets. I didn’t expect them in older places, but I did expect them in the new resort I stayed at (the block I was in is less than two years’ old). I would have thought that water on Bali was a very precious commodity, and that installing dual flush toilets would be mandatory.
  • Bali is one of the ‘spice islands’, so why did I only see ground white pepper? Not a crushed black peppercorn was sighted in any restaurant I visited.