Rhonda Bracey: At Random

I’ve been very slack about putting up screen shots of Etsy Treasuries my items have been featured in. In fact, it’s March 2011 since I put up a gallery!

So here they are (click on a small image to show it full size):

For my most recent quilt, I sort of kept track of my fabric and thread usage and time and got a BIG surprise:

• 16x batik fat quarters (@ ~$7 each = $112; offcuts of this fabric made the binding)
• 2.5 metres backing fabric (@$22 per metre = $55)
• 0.5 metres yellow border fabric (@$22 per metre = $11)
• 1 metre blue border fabric (@ $22 metre = $22)
• 500 metres Superior thread ($15)
• 500 metres bobbin thread (~$10)
• 2.5 metres bamboo batting (@ ~$30 metre = $75)
• Pattern from Four Paws Quilting (~$10)

So, the supplies alone for this lap quilt cost a surprising $310!!! PLEASE NOTE: Australian fabric prices are more than double what people in the US pay. We pay between $22 and $30 a metre for fabric (compared to the US prices of $9 to $12 a yard [2013 prices]), and at least $6 for a fat quarter. Our prices for batting, backing and thread are also much more expensive than US prices.

Time taken (approximately):

• Choosing main fabrics and ironing them prior to cutting: 1 hour
• Figuring out pattern instructions: 1 hour
• Cutting main fabrics: 3 hours
• Sewing top together: 8 hours
• Choosing, ironing, cutting and sewing on border and binding fabrics: 3 hours
• Sewing extra blocks into backing fabric: 1 hour
• Laying out the three layers and pin basting: 2 hours
• Quilting on the HandiQuilter Sweet Sixteen: 10 hours (some 84,000 stitches!)
• Final ironing, squaring up, trimming ready for binding: 1 hour
• Adding binding (all by machine): 1.5 hours

Total time (approximately): 31.5 hours

I didn’t count electricity usage (sewing machine, quilting machine, iron, room lights) or amortisation of the costs of the sewing or quilting machine, or factor in annual servicing for both, or attendance at courses/retreats to learn new techniques.

If I charged $20/hour for the time taken (that’s less than a cleaner makes in Australia!), the base cost of this quilt would be $940 ($630 labour + $310 supplies), before looking at any profit. Adding a 25% profit margin would make this quilt $1253! I just can’t see anyone paying $1250 for a lap quilt.

Let’s do some more sums, assuming fixed costs for the supplies ($310) and a fixed profit margin (25%) but changing the labour rate:

Wow! I’m charging WAY too little for my quilts on Etsy. That said, people still baulk at more than $100 for a lap quilt. As you can see from the above, the supplies alone cost more than $300, without factoring in time or profit.

After all that, this quilt is going to a friend as a gift. That’s my choice.

But I tell you what, after looking at the real costs of making a quilt, I won’t be quitting my day job any time soon. I’d be going backwards trying to compete with some of the prices on Etsy, and would be getting nothing for my time, let alone any profit margin. I can’t see how someone can make a lap quilt and sell it for $100, unless they are getting the fabric for nothing and have a team of slaves elves to help them.

It’s all so very depressing… How can an artist/craftsperson make a living doing their craft? How can they charge a fair price for their labour, so that they aren’t in the poor house, yet the customer feels they are getting value for money?

See also:

• http://huntersdesignstudio.com/2012/11/08/whats-it-worth/
• http://huntersdesignstudio.com/2013/04/04/whats-it-worth-part-2-a-bigger-picture/
• http://www.whyquiltsmatter.org/welcome/discussion-guide-qa-with/quilts-matter-question-answer-caryl-bryer-fallert-part-2/
• http://www.sewmamasew.com/2014/01/placing-a-value-on-your-quilting/
• http://www.mollisparkles.com/2013/12/tgiff-cost-of-cushion.html
• http://www.mollisparkles.com/2013/11/tgiff-no-value-does-not-equal-free.html
• http://www.mollisparkles.com/2014/03/tgiff-costing-sheets.html
• http://www.mollisparkles.com/2013/11/no-value-does-not-equal-free-some.html
• http://huntersdesignstudio.com/ew-worth-it-2/
• http://danajoforseth.com/2014/um-yeah-im-worth-more-than-two-bucks-an-hour/
• https://www.yahoo.com/makers/never-say-this-to-a-knitter-really-just-dont-do-108914213375.html
• http://www.mooreapproved.com/2015/02/quiltonomics-the-real-cost-of-quilts/
• http://kathleenquilts.com/2015/11/11/the-business-of-longarm-quilting-charge-what-youre-worth/
• http://katiesquiltingcorner.com/2013/08/sell-quilts.html
• http://loridunnart.blogspot.com.au/2013/06/how-much-is-that-artwork.html

Today I finished a lap quilt that I started last weekend. I used a pattern I’d been meaning to try for some time — it reminded me a little of a Gustav Klimt painting. (The pattern is ‘Surrounded’ from Four Paws Quilting: https://fourpawsquilting.com/pages/patterns.html)

I haven’t made a quilt from a pattern for ages, so this required a bit more discipline than I’m used to 😉 That said, I did adapt and modify a little… The pattern required 8 different fabrics in half-yard pieces, but I didn’t have much in half-yard lengths, so I used 16 fat quarters instead. All batiks (except the border and backing fabrics, which were cotton). I chose a blue/yellow/green theme and I’m quite pleased with how it came out.

To echo the very geometric nature of this quilt, I free motion quilted the main top with squares/rectangles in one continuous line using a pastel variegated thread in yellow, pinks, greens and blues, then did a sort of curly grass motif in the yellow border with the same thread, and a large meandering stipple in the blue border in a dark blue variegated thread.

When I finished making the blocks, I found I had two left over, so I incorporated them in the back of the quilt. I like that they add a touch of interest to what would otherwise be a pretty boring back!

Click the thumbnails below to see an image in larger size, then click again to zoom in to see the stitching etc.

This quilt is going to a friend, but I kept track of my costs and got very depressed…

It was my turn to set the challenge for 2012, which I revealed at our quilting retreat in early October.

I chose the poem ‘Core of my heart (My Country)’ by Dorothea Mackellar, from which comes the song ‘I love a sunburnt country’. There’s plenty of inspiration in that poem!

The rules and restrictions of the challenge are few:

• Take any word(s), phrase(s), line(s), verse(s)—or even the entire poem—as your inspiration
• Make something in fabric from that inspirational idea (it doesn’t have to be a quilt)
• Minimum size: 6 x 6 inches; no maximum size
• Have it completed by our retreat in September/October 2012 — and keep it secret from the others!

PDF of the poem and the rules

In honour of Royal Show week in Perth, I presented the challenge in show bags!

Inside each coloured bag was a fabric clutch I’d made from some of my fabric scraps. Each clutch was a different colour to suit the colours that I thought matched the recipient.

Inside each clutch was a sealed, matching envelope, with a fabric ‘stamp’.

And inside the envelope was the challenge.

Also inside each clutch were two gifts — a pack of microfibre applicator brushes, and two ‘how to’ quilting DVDs.

The clutches:

One of the delights of our annual retreat is seeing how the other gals met the challenge set the previous year. Their friendship and general awesomeness is pretty great too ;-), but this post will just focus on the quilts made by the five of us to meet the monochromatic challenge set by Flora.

Considering how many colours there are, it was a complete surprise that we’d all created pieces using the same sector of the colour wheel — there were two blue quilts, two purple quilts, and one pink one (mine).

The entire piece (except for the batting) had to be created using one colour only — top fabric, backing fabric, all threads. And there was to be no other colour in the selected colour — so no creams, greys, blacks, whites, silver, gold, or any other colour that contaminated our chosen colour. However, we could use as many shades of our chosen colour as we wanted, as long as it was ONLY that colour.

Here are the quilts we made to meet the monochromatic challenge; click on a small image to see the larger size.

I got back to my challenge quilt in April after trying out a Handi Quilter Sweet Sixteen machine at the Eleanor Burns Quilting Academy in California, and after my most generous friend Bobbie lent me hers for two weeks. I actually did all the quilting on it using Bobbie’s machine, then bought my very own Sweet Sixteen at the end of April as a result of stitching this quilt (and others).

Because the challenge was monochromatic, all the threads in this quilt are also in pink tones. Most were rayon threads, which added an extra sheen. All stitching in all blocks is done free motion — no rulers, no patterns, no drawn designs, just stitching where my hands and brain took me. Drawing zentangles on the plane to and from the US and at the conference really helped! As did the confidence I gained from working through all the Leah Day designs (see also My personal Leah Day project).

There are a lot of photos here as I wanted to preserve for posterity all the different stitching I did in the blocks, the sashing, and the borders — remember, I’ll be giving this quilt away (no, not to you, Sue!!). Click on a small photo to show it larger, then click on the larger version to show it full size.

Oh, and the reason why it’s taken months for me to post these articles and pictures is that our challenge piece is meant to be a secret from the others until we have our annual retreat in late September/October. We had our retreat last weekend, so I can now post my photos!

See also:

• Design and preparation: https://sandgroper14.wordpress.com/2011/10/15/challenge-quilt-2011-preparation/
• Piecing the top: https://sandgroper14.wordpress.com/2011/10/15/challenge-quilt-2011-piecing-the-top/