Batting sides

16 04 2016

In case you weren’t aware, batting has a back and front (thanks to Pam Holland for teaching this to us at Empty Spools a couple of years ago).

I came up with a way to remember which way it goes: Dimples are on the face, and knobbly bits are on the bottom (interpret that whichever way you want!).

So, the dimple side faces the top and the knobbly side faces the bottom. Easy peasy!

(The reason why you put batting in the ‘right’ way is that it’s designed for the needle to punch down through the dimples, in line with how the needles punched the batting when it was made. If you have the batting in the ‘wrong’ way (knobbly bits facing up), then the needle struggles harder to push through the batting and may bring back up bits of batting with it.)

See also:





Community Quilt 261

13 04 2016

What a colourful quilt this was! I didn’t do any stitching in the ditch; instead, I started in the middle and worked my way out stitching circles inside circles with connecting loops in a bright orange thread.

(Click on a photo to view it larger)

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Back:

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Threads used:

  • Top: Fil-Tec Glide ‘Neon Orange’ (40 wt, trilobal polyester, colour 90811)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (red)

 





Community Quilt 260

13 04 2016

My apologies for the washed out photos — this quilt was much brighter than it appears in these photos.

I started by stitching in the ditch around all the blocks, then around the big circles, segueing into petals around each one to create the illusion of a large flower or a sun. I repeated the petal/fire motif in the border, using a charcoal thread.

(Click on a photo to view it larger)

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Threads used:

  • Top: Various Fil-TEc, Isacord, Madeira, Mettler, Wonderfil, and Robison-Anton threads
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (black)

 





Quilt pattern in a painting

28 03 2016

Seen in my hotel room:

P1050349_Hilton_Exec_Tower_Portland





Community Quilt 259

23 03 2016

What a stunner of a quilt this was! The person who made the top used colours that I would never have dreamt of putting together to create the illusion of a colour wash, and it was all done with faux pinwheels too.

How to quilt it? I thought about graffiti quilting it, but decided against it, instead choosing to go a bit more formal. I decided to closely quilt the lightest colour of the central area, using McTavishing. For the next layer (light to mid tone pinwheels), I segued into a larger open headband motif in the same variegated cream thread, then finally into a medium-size meandering stipple in a matching variegated cotton thread for the mid to dark areas.

Even though I’m not a fan of traditional applique, this quilt is a real stunner and I hope I’ve done it justice with the quilting I’ve done on it.

(Click on a photo to view it larger)

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Threads used:

  • Top: Fil-Tec ‘Wheat’ (40 wt, trilobal polyester, colour 60300); Superior King Tut ‘Old Giza’ (40 wt, cotton, colour 941)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (light tan, lead gray)

 





Community Quilt 258

23 03 2016

At first glance, I thought this scrappy quilt was too busy, but on stepping back from it a little, I realised how cleverly constructed it was with the offsetting of the lights and darks creating various optical illusions.

I started by stitching in the ditch along all the diagonal lines, then filled in the dark parts only with a large ‘n’ and ‘u’ stitching pattern, keeping about a half inch between the up and down strokes of the motif. I didn’t use rulers — I just eyeballed the distance, so some are a little closer or further apart than half an inch, but the overall effect is of similarly spaced parallel lines.

(Click on a photo to view it larger)

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Threads used:

  • Top: Isacord (40 wt, trilobal polyester, colour FB4133)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (lead gray)

 





Community Quilt 257

20 03 2016

For this batik quilt, I used a bright yellow thread to stitch large overlapping spirals on the main part of the quilt, and large ‘ribbon candy’ in the piano keys border. I left the inner and outer borders unstitched.

(Click on a photo to view it larger)

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Threads used:

  • Top: Isacord (40 wt, trilobal polyester, colour 0600)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (red)

 





Community Quilt 256

20 03 2016

To counteract the rigidity of the horizontal stripes in this bright jelly roll quilt, I decided to go a bit more organic by stitching all over with circles (aka bubbles or pebbles) of various sizes, in a fluoro orange thread. I left the border unstitched.

(Click on a photo to view it larger)

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Back:

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Threads used:

  • Top: Fil-Tec Glide ‘Neon Orange'(40 wt, trilobal polyester, colour 90811)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (red)

 





Community Quilt 255

20 03 2016

For this small scrappy quilt, I decided to let the ‘on point’ squares pop by only stitching in the white space. I started by stitching in the ditch around all the squares and the borders, then did elongated curved ‘S’ shapes up and down and across to create the illusion of flowers or cathedral windows in the white space. I left the two inner borders unstitched, and did a large meandering stipple in the outer border.

(Click on a photo to view it larger)

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Back:

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Threads used:

  • Top: Fil-tec Glide ‘Cream’ (40 wt, trilobal polyester, colour 20001)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (light tan)

 





Community Quilt 254

20 03 2016

I decided to follow the geometric nature of this quilt made from some lovely batiks and stitched an all-over design of overlapping squares and rectangles. I didn’t use rulers, so not a single line is straight, even though they all look it from a distance.

(Click on a photo to view it larger)

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Back:

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Threads used:

  • Top: Isacord (40 wt, trilobal polyester, colour FB3040)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (white)