Community Quilt 278

30 07 2016

A small scrappy quilt, stitched with a meandering stipple in a variegated thread.

(Click on a photo to view it larger)
quilt278_01

Threads used:

  • Top: Fil-Tec Harmony ‘Spring’ (40 wt, cotton, colour 14062)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (lead gray)

 





Community Quilt 277

30 07 2016

Another big quilt, with lots of ‘busy’ fabrics. This time I stitched a large open headband motif, using a variegated red, white, and blue thread.

(Click on a photo to view it larger)

quilt277_01

quilt277_02

Threads used:

  • Top: Wonderfil Mirage(30 wt, rayon?, colour SD33)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (black)

 





Community Quilt 276

30 07 2016

I just did a large meandering stipple on this big (and busy!) scrappy quilt made of 2-inch squares. Any other quilting would have got lost in the fabric.

(Click on a photo to view it larger)

quilt276_01

quilt276_02.JPG

Threads used:

  • Top: Robison-Anton ‘Paris Blue’ (40 wt, rayon, colour 2283)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (white)

 





2016 Challenge

7 07 2016

Our 2016 quilt challenge was set by our friend Helen Godden, a renowned, internationally known quilter of extraordinary pieces. We had to email Helen a high-resolution digital photo we’d taken and that we thought would work well as an art quilt. She printed each photo onto a large photographic sheet, which she then divided randomly into five pieces. She then mailed each person a single piece of everyone else’s photo, including their own. We didn’t know who the photo pieces belonged to (except our own, of course). Our task was to re-create in fabric, thread, fabric paints, etc. the photo pieces we received. We were to leave a decent seam allowance around each fabric re-creation, and were NOT to quilt it. We had to send our completed fabric pieces back to Helen by the end of December 2015. Once she received all the completed pieces, she sorted them out and sent each back to the owner of the original photo. Our task was to join the individual pieces our friends had created into a whole, then embellish it, quilt it, modify it however we wanted, as long as it was ready for revealing at our annual quilt retreat in July.

Below are the original photos and the finished products (each is made up of 5 pieces), followed by photos of the five pieces I worked on, and then the ‘show and tell’ pieces we shared after the reveal. Click on a photo to view it larger.

Photos and finished quilts

My photo of a protea flower from my garden, and my finished piece, which I’ve called ‘Fractured protea’:

king_protea04

P1050774

This art quilt is now available for sale from my Etsy store: https://www.etsy.com/au/listing/605095934/fractured-protea-art-quilt

Michelle’s photo from a trip to China, and her finished piece (note the level of detail on the left side!):


michelle_orig_photo

 

P1050773

Flora’s photo from a trip to France, and her finished piece (I like how she emphasised the joins, giving a stained glass and sun ray effect):

flora_orig_photo

P1050778

 

Bobbie’s photo of a barn (house?) in the Yarra Valley, Victoria, and her finished piece (she added some plastic blinds, a padlock, and a few other things to the finished piece; someone added a HUGE glass and bottle of wine!):

Bobbie_orig_photo

P1050771

Glenys’ photo of a butterfly on a sunflower, and her not-quite-finished piece (Flora joined it for her during our retreat weekend, but I don’t have a photo of that; Glenys will complete the butterfly’s body once it’s all joined):

glenys_orig_photo2

P1050764

The pieces I worked on

My own

I decided to couch my piece with yarn, using buckram as the stabiliser. I drew an outline of the elements in my piece of the photo onto the buckram, then couched it with various yarns, using my Sweet Sixteen quilting machine. I was so impressed with what the girls had done when I got all the pieces back — lots of three-dimensional leaves, beautiful fabrics, and very fancy thread work on the flower and in its centre. But I directed a few profanities to Helen for how she had sliced my photo up — it was a real problem getting it back together in the centre joins as the bulk of the elements in the centre of the flower were super thick to get a needle through. I finished the piece by adding batting and a muslin backing, quilting the main elements in it, then adding a pillow case/envelope backing in a green batik.

P1040888

P1050284

P1050507


P1050506

Michelle’s piece

I drew the short straw on this one, getting the most complex and detailed part of the photo. I did a lot of cursing! Because of the detail, I decided early on to NOT use applique or fabric for the various elements, instead deciding to drawing them (with Gel pen) onto white fabric suitable for fabric painting, then painting them. I had to experiment a lot to find a painting solution that didn’t bleed, eventually settling on Inktense watercolour pencils and a textile medium. I finished it off by stitching gold metallic thread on top of the red lanterns. It took a LONG time to paint this piece, but eventually I was done. And very pleased to send it back to Helen.

P1040835


P1040836

P1040838

Flora’s piece

I used a combination of techniques for this one — applique, couching with yarn, shading with Copic markers and Inktense watercolour pencils, etc. Getting the perspective on the steps right was tricky!

P1040919

Bobbie’s piece

Ah, straight lines!!! Bobbie’s piece was made up of five strips, which would’ve made it an easy one for her to join. Mine was the centre strip, though I didn’t know it until the reveal. Again, I decided to couch it, using buckram as the stabilising base, and various yarns. I added some Copic marker colour for the rust near the window, and some shadows.

P1040917

Glenys’ piece

This one was ideal for applique, which is what I did for the leaves, the sunflower petals, and the orange base of the butterfly. I added shading with Copic markers, and painted the black and white elements of the butterfly (I can’t remember what I used!).

P1040916

Show and Tell

After the reveal of the challenge pieces, we always have ‘show and tell’ where we bring along some of the work we’ve done during the year. Here are some of our show and tell creations.

Bobbie

P1050769

P1050770

P1050767

P1050768

Glenys

P1050766

This looks really complicated, but she said it was pretty easy as it’s just striped fabric cut and joined in certain ways. I call it ‘licorice allsorts’!

Mine

P1040571_02

P1040933

P1040937

xylem05

kunzite_18





Productive weekend

5 07 2016

This weekend just gone was my annual quilting retreat with four friends. I’ll post about our challenge pieces and our weekend later, but for now, I want to share the 13 (yes, 13!!) quilt tops I made between Thursday night and Monday morning. All were small — from humidicrib to cot to lap size quilts. I didn’t use a pattern for any of them — just made them up in my head. Some were based on quilts I’d made previously, but none of them was too complicated. All used strips of fabric (various widths) cut from fat quarters, fat eighths, or from a box of scrap fabrics. This was a great way to use up odd strips of fabric!

I took about 30 fat quarters with me (grey, blue, green, and yellow shades), but used up most of those in the first two days. For the rest of the tops, I used fabrics from the ‘community quilts’ fabric stash my friend Bobbie had in her house that she uses with her group of quilters. The quilts made from these fabrics will be returned to the Community Quilts program for batting, backing, quilting, and binding and then for distribution to charities. I’m not sure about the ones made from my own fabric — once I finish them, I might put some on Etsy to sell or hold on to them as future gifts for people, or possibly donate them to the Community Quilts program.

Here are the 7 quilt tops made from my fabrics. My favourites are the grey ones with the splashes of red or orange. The yellow one is MUCH brighter than the photo shows.

P1050779

Size: 33 x 34 inches (84 x 86 cm)

P1050780

Size: 32 x 43 inches (81 x 109 cm)

P1050791

Size: 36 x 49 inches (91 x 125 cm)

P1050789

Size: 37 x 43 inches (94 x 109 cm)

P1050788

Size: 37 x 43 inches (94 x 109 cm)

P1050790

Size: 38 x 47 inches (96 x 120 cm)

P1050787

Size: 39 x 52 inches (99 x 132 cm)

Here are the 6 quilt tops made from the Community Quilts fabrics (the green one is actually quite dark – unfortunately, the flash overexposed it)

P1050781

Size: 38 x 62 inches (96 x 157 cm)

P1050782

Size: 44 x 51 inches (111 x 130 cm)

P1050783

Size: 22 x 28 inches (56 x 71 cm)

P1050784

Size: 27 x 27 inches (69 x 69 cm)

P1050785

Size: 23 x 23 inches (58 x 58 cm)

P1050786

Size: 38 x 46 inches (96 x 117 cm)

 





Community Quilt 275

26 06 2016

I really liked this quilt — the design, the colours. I think it’s a variation on these quilts: https://rhondabracey.com/2015/09/07/baby-quilt-kaffe-fassett-fabrics/ and https://rhondabracey.com/2015/09/28/baby-quilt-with-tonga-treasures-fabric/, but instead of using charm squares, the quilt maker used half-square triangles inside each block. It’s very effective.

How to quilt it? I decided to do something I’ve never tried before — triangular spirals! It’s just a spiral motif, but with three corners. I liked the final effect, so might use this one again. No rulers were used — all free-motion quilting.

(Click on a photo to view it larger)

quilt275_01

quilt275_02

Threads used:

  • Top: Fil-Tec GLide ‘Neon Green’ (40 wt, trilobal polyester, colour 90360)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (red)

 





Community Quilt 274

26 06 2016

I wanted to enhance this basic scrappy quilt with something floral, and ended up doing a sort of spiral centre, surrounded by rounded ‘petal’ arms. It’s another variation on ‘open headbands‘.

(Click on a photo to view it larger)

quilt274_01

quilt274_02

Threads used:

  • Top: Fil-Tec Harmony ‘Spring’ (40 wt, cotton, colour 14062)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (white)

 





Community Quilt 273

26 06 2016

This big quilt was filled with panels from a marine-themed fabric, and surrounded by matching borders and sashing strips. After stitching in the ditch around all the blocks and borders, I did a water-style stitching motif in the panels, with wavy lines in the light green border and a sine wave in the thin dark border. I left the other areas unstitched.

(Click on a photo to view it larger)

quilt273_01

quilt273_02

Threads used:

  • Top: Floriani (40 wt, rayon, colour PF074)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (lead gray)

 





Community Quilt 272

26 06 2016

Another big quilt, this time of half-square triangles in autumnal colours. After stitching in the ditch around every stinkin’ seam, I decided to do an all-over motif based on ‘open headbands‘, using a variegated autumnal thread.

(Click on a photo to view it larger)

quilt272_01

quilt272_02

Back:

quilt272_03

Threads used:

  • Top: Fil-Tec Harmony ‘Tweed’ (40 wt, cotton, colour 14076)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (light tan)

 





Community Quilt 271

26 06 2016

This was a BIG quilt, with the potential for lots of puckering with all those bias edges in the octagons. I started by stitching in the ditch around the main elements, then stitching echoed 4-petal flowers in the white spaces. I free-motion stitched BIG spirals in the green areas (thank goodness for quilting gloves and my Sweet Sixteen’s quilting table and extensions, and my bungee cord system!).

For the border, I stitched flame-like motifs, all in the same green thread. The green looks stunning on the black, although the picture of the border below is a bit washed out and doesn’t show the contrast very well.

(Click on a photo to view it larger)

quilt271_01

quilt271_03

quilt271_02

quilt271_04

Threads used:

  • Top: Fil-Tec Glide ‘Neon Green’ (40 wt, trilobal polyester, colour 90360)
  • Bottom: Fil-Tec Magna Glide Classic pre-wound bobbin (white)