[I spent a long weekend at a private retreat a few weeks ago, which is when I quilted this quilt (and 7 others). Therefore the photos aren’t as good because they were taken indoors, and I don’t have information on the threads used.]
I quilted corresponding motifs in each square to match the fabric used (where possible) — so circles/bubbles/pebbles in the squares with spots and dots, scallops in those fabrics, etc.
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[I spent a long weekend at a private retreat a few weeks ago, which is when I quilted this quilt (and 7 others). Therefore the photos aren’t as good because they were taken indoors, and I don’t have information on the threads used.]
For this quilt, I left the plain beige fabric unquilted. In the centre of each block I stitched a curved matrix motif, and in the surrounding squares, cathedral windows.
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[I spent a long weekend at a private retreat a few weeks ago, which is when I quilted this quilt (and 7 others). Therefore the photos aren’t as good because they were taken indoors, and I don’t have information on the threads used.]
This quilt was similar to #360, but this time I quilted ‘cathedral windows‘ in the small squares, and piano keys in the border.
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I spent a long weekend at a private retreat a few weeks ago, which is when I quilted this quilt (and 7 others). Therefore the photos aren’t as good because they were taken indoors, and I don’t have information on the threads used.
This quilt was very similar to #359, except for the borders, so I quilted it similarly, with a squared stipple in the main top and piano keys in the plaid border.
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How to quilt this quilt? As usual, I started by stitching the ditch around all the main blocks and elements. For the border, I did a large meandering stipple, with stars in the corner squares. In the main top, the busy fabrics leant themselves to a simple motif — I chose my ‘go to’ open headband motif, using red thread.
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Threads used:
This small, bright scrappy quilt should cheer up a child in hospital. It had a soft flannel backing too, so will be nice and cuddly. I kept the quilting simple, but reasonably dense because the variety of fabrics used resulted in quite a few wonky seams and puckers.
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Threads used:
I liked this quilt, though it was a bit of a challenge to quilt because it was quite wonky. The reason this quilt top was so wonky was because the maker had used all sorts of plaid shirting fabrics + denim to make it — those different fabrics had different thicknesses and ‘hand’, resulting in the fabric reacting in different ways to being sewn. This was not the maker’s fault – it’s just a consequence of using widely varying fabrics.
But those wonky seams and the puckering in this quilt top needed to be tamed — either by ironing them out or stitching them out. I chose the ‘stitch it out’ method because I didn’t think ironing would’ve worked in the long term. This meant I needed to use fairly dense stitching to beat those puckers into submission 🙂 To achieve this end, I decided to quilt it using a ‘square meander’, crossing lines to form sort of rectangular shapes. And yes, I tamed it!
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Threads used:
This was a pretty pink and green quilt. I started by stitching in the ditch around the main blocks and borders, then did straight lines in the border, following (approximately) the lines formed by the squares in the fabric’s pattern. I quilted the main part of the quilt top with a flower variation on the open headband motif — instead of an arc for the final layer, I stitched half shells, emulating flower petals.
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Threads used:
I started by stitching in the ditch around all the blocks and borders, around the circles containing the birds, around the scalloped edge inside the circles, and then around each bird. I then did a smallish stipple in the white space around each bird to make the bird ‘pop’, and continued the stipple in the brown borders.
I left the cream and green borders unstitched, then did a straight stitch following the direction of the striped in the main border.
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Threads used:
How to quilt this quilt with all those Dresden plates and all that white space?
I started by stitching in the ditch around all the plates and into their centres, where I stitched a little floral motif, then around the brown border. I decided to leave the ‘arms’ of each plate unstitched, letting the ditch stitching make them pop.
For the outer border, I did a large meandering stipple, and for all that white space surrounding the Dresden plates, I did some McTavishing.
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Threads used:
Rhonda Bracey: At Random 