Community Quilts 445 to 452

3 03 2019

Here’s the latest batch of quilts I quilted for the West Australian Quilters Association’s Community Quilts program. The first three are from quilt tops I made in January, all from scraps, many of which came from offcuts of previous Community Quilts.

(Click on a photo to view it larger)

Community Quilt 445

Community Quilt 446



Community Quilt 447


Community Quilt 448


Community Quilt 449

Community Quilt 450




Community Quilt 451


Community Quilt 452

Photos of all the Community Quilts I’ve quilted are here:

Retreat with friends

20 01 2019

Early in January, I went on a 4-day quilting/sewing retreat with some friends. During that time I made a jelly roll rug (my first ever!), and four quilt tops. The jelly roll colours were much more vibrant than the photo shows. The jelly roll fabric was from the ‘Pastiche’ range by Jason Yenter, In The Beginning Fabrics ( and

The jelly roll instructions I used/modified are here:, with an accompanying 22-minute YouTube video:


Three of the quilt tops are simple — each took me about 4 hours from scrap fabric to a finished top, with borders. Each cut piece is 6.5 x 3.5 inches.

The other (pink one) was a scrappy improv quilt, where I take bits of sort of matching fabric scraps and sew them together, until I end up with other pieces of fabric that I can cut into blocks—in this case, 12.5 inch blocks. Then I added sashing strips and a border. This sort of improv quilt takes much longer than the simple scrappy ones, but it’s a good way to use up smaller scraps.

We all worked on our own projects, in that comfortable silence that good friends have. These retreats are good for my soul!

Look at this amazing wolf Jo made from a Violet Craft pattern!

And Carol has decided that usual sized hexies just aren’t enough (I can’t even do those!), so she does miniature ones! I think she’s mad!!


Community Quilts 432 to 444

10 01 2019

Here’s the latest batch of quilts I quilted for the West Australian Quilters Association’s Community Quilts program.

(Click on a photo to view it larger)

Community Quilt 432

Community Quilt 433


Community Quilt 434

Community Quilt 435


Community Quilt 436

Community Quilt 437


Community Quilt 438

Community Quilt 439

Community Quilt 440

Community Quilt 441

Community Quilt 442

Community Quilt 443

Community Quilt 444


Photos of all the Community Quilts I’ve quilted are here:

Community Quilts 423 to 431

5 12 2018

Another batch, most of which were done when I returned from my US trip. However, when I took photos of them, one of the settings on my camera must’ve been off as the photos came out very bleached. I’ve adjusted the brightness/contrast in my photo manipulation software, but the colours really don’t reflect the actual colours of the quilts. (I haven’t added this set to my Flickr page as I’m disappointed in the quality of the photos, and no longer have the quilts to retake photos from.)

(Click on a photo to view it larger)

Community Quilt 423

Community Quilt 424

Community Quilt 425

Community Quilt 426

Community Quilt 427

Community Quilt 428

Community Quilt 429

Community Quilt 430

Community Quilt 431


QV2018: Day 20: Houston Quilt Festival

13 11 2018

A very lazy day today. First task of the day was to pack my second suitcase.

Then I had brunch at Poitin with some Houston friends (I worked with Jason in Perth, some 10+ years ago; he and his wife Natalia have been living here for much of the intervening time). It was good to catch up with them again, and brunch was amazing, as were the two cocktails I had — yes, before noon!

This afternoon I wandered back to the exhibition and vendor mall — both were pretty quiet and the mania of the crowds on Thursday had gone. Memo to my future self: Unless there’s something specific you want to buy, wait until Sunday to check out the vendor area! I stopped in at the booth run by my friend Kim’s mom, and caught up with her for a while. Then as a group we convened near Michelle’s second prize entry, and she talked about how she and Sophie made it. Next stop were Helen’s two quilts, where Helen explained how she had made them.

For our last night, I had dinner with Michelle, Helen, Carol, and Lyn, and a ring-in Carol from New Zealand. And then it was all over.

Tomorrow some head off for other destinations, and I head off earlier than the others to IAH for my flight to DFW. Most of us are on the same DFW-SYD flight, though some will be in different classes and different parts of the plane. Once in Sydney (Wednesday), we lose the Tasmanians, the Canberran, and the Sydneysider, and I fly back to Perth on a later flight than those that remain.

And that’s it for another QuiltVenture. We don’t know yet if there’ll be another in two years’ time, and if so, where it will go. But travelling with a group of similar women and the friendships that ensue, can’t be underestimated. Many thanks to Michelle, especially, for being our fearless leader, and for organising yet another AMAZING trip. There’s an enormous amount of work that goes on behind the scenes to make it all seem so easy, and Michelle is responsible for all that. Thank you, my friend.

QV2018: Envelope finish for art quilts

11 11 2018

In Grace Errea’s class at Houston, she gave us detailed instructions for finishing art quilts with an envelope (or pillowcase) finish, and then we created our own. Here are my notes from that class — hopefully I’ll be able to make sense of them next time I need to do this sort of finish:

  1. Pre-wash ALL fabrics before you start making the quilt — you’ll be wetting the quilt later when you block it (and you MUST block it), so you don’t want to ruin your work with fabrics that will run.
  2. Make the quilt top.
  3. Before you start quilting the art quilt, decide on the finish you want. If an envelope finish, then ONLY quilt two layers — the top and the batting. Do not add a backing fabric.
  4. Quilt as normal.
  5. Block the quilt.
    • Stretch the quilt onto a design wall, foam core board, or something solid.
    • Pin (using large T-pins) every two inches.
    • Pin the top edge first (from the middle out to the sides), then pull down and stretch the quilt and pin the bottom edge (also from the middle out). Repeat for the sides. (Note: Cindy Needham also does this, but she also marks a straight line on the top and right side [squared correctly, of course] to guide her when stretching and pinning her quilts.)
  6. Soak the quilt using a water sprayer until completely wet.
  7. Let dry — this could take hours in a hot climate, or days in a cooler climate. It must be completely dry before the next step.
  8. Once dry, unpin the quilt. Grace assured us it will never hang wonky again!
  9. Square the quilt and trim.
    • Cut one side, then use that cut side to mark the opposite side (typically in three places; use a square ruler or T-square if possible).
    • Cut the opposite side in the same way, following the marks.
    • If you’re not sure you’ll get it correct, then cut a little larger (each 1 inch all round), check the squareness, then cut again as necessary.
  10. Cut a backing piece a little larger than the trimmed quilt.
    • Cut 3″ off the top of the backing fabric.
    • Sew the 3″ piece back onto the backing fabric, using a long (or basting) stitch. Yes, this seems strange, but you’ll see why later…
    • Press the seam up towards the top of the backing fabric piece.
    • The final size of the backing piece should be the same as the trimmed quilt — if it’s too big, trim it to size.
  11. Place the right side of the backing fabric onto the front of the quilt (i.e. right sides together) and pin into place all around.
  12. Mark with a dot the 1/4″ vertical/horizontal position in each corner.
  13. Stitch with a 1/4″ seam down one side and STOP when you are ONE stitch from the 1/4″ mark.
  14. Backstitch for 3 stitches.
  15. Go forward three stitches, then pivot the piece diagonally.
  16. Stitch diagonally (usually one stitch, but might need two) to where you will start stitching your next side. This diagonal stitch should be just below the 1/4″ mark at the corner. It’s this diagonal stitch and trimming away the bulk (step 21) that gives the corners a sharp crisp finish.
  17. Pivot so you are ready to stitch the next side.
  18. Stitch 3 stitches, then backstitch 3 stitches.
  19. Continue stitching down this side.
  20. Repeat steps 12 to 19 for ALL sides. You will be fully enclosing the ‘envelope’.
  21. Trim all corners without cutting any stitches.
    • Trim the diagonal ‘ear’ off.
    • Then taper trim for about a half inch into the 1/4″ seam area.
    • You’re taking all the bulk out of the corner.
  22. Unpick the seam you basted earlier on the backing fabric.
  23. Turn the quilt out through the opening on the back, gently poking out the corners with a ROUNDED tool (e.g. chopstick, end of an artists’ brush etc.). Be careful not to poke all the way through!
  24. Finger turn and finger press the edges to make sure none of the backing fabric shows on the front and vice versa.
  25. Steam iron (or spritz) the edges to make then sharp and flat. Keep checking none of the fabric shows on the other side.
  26. You’ll need to do some more quilting (MINIMAL) to make sure you don’t have a loose and floppy back.
    • Turn the quilt so the back is facing up.
    • From the bottom, gently push any loose fabric into the gap in the backing fabric.
    • Go all around the quilt doing this.
    • Using straight pins, pin as you go after pushing any fullness in the gap. Start pinning from the edges.
    • Keep pushing excess looseness into the gap, and pinning as you do so.
    • When you’ve finished the main part of the quilt, do the same from the top of the quilt, pushing the looseness out of the fabric in the top 3 inches. Pin.
    • Turn the quilt over, and if you using basting pins, re-pin the quilt from the front side matching the straight pins on the back.
    • Once pinned, turn the quilt back and remove the straight pins from the back. (Grace uses straight tailors’ pins with very tiny heads and says she doesn’t bother with this step and the quilting goes over the top of those pins without a problem — she then removes them after quilting.)
    • Quilt minimally, using clear or smoke nylon thread (e.g. Madeira) top and bottom to match the quilt. The aim is to hold the layers together, not to quilt the death out of it — you’ve already done that, and any dense quilting now will only distort the quilt. Typically, you’d just quilt around the major elements of the quilt.
  27. Add a hanging sleeve — yes, this is another reason why you did that 3″ join earlier! Any puckers at that seam from the final quilting will be covered by the hanging sleeve.

QV2018: Day 19: Houston Quilt Festival

11 11 2018

The only class I had today was in the afternoon, so I had a leisurely breakfast with Mary Beth and her husband. I first met Mary Beth at the first-ever Quilting Adventures workshop I went to in New Braunfels, Texas (2012). I’ve since met her at Festival. This was the first time I met her husband.

After breakfast, I wandered back over to the quilt exhibition to see a few more sections in detail, and to check out some of the vendor mall — it wasn’t so crazy busy today as it was on Thursday, thank goodness (for me as an attendee; perhaps not so much for the vendors). Then back to my room to pick up my class supplies and to call and catch up with Kim, the ex-owner of Quilting Adventures (now closed). Kim’s mom has a booth in the vendor mall, which I missed, so I’ll check that out tomorrow when I go say hi to her. My class was on Super Fast Binding and Piping with Melody Crust, and it was super fast — I was done in half the allocated time!

This evening we had our final group dinner at The Grove restaurant in Houston, and said goodbye to Miss Pat, the lovely Texan who joined this mad group of Aussies on this trip — she leaves early tomorrow morning.

Here are some more photos of quilts on display at Festival this year (for all the photos, see

One of Jane Sassaman's quilts -- I did a whole day drawing workshop (Abstracting from Nature) with her

One of Jane Sassaman’s quilts — I did a whole day drawing workshop (Abstracting from Nature) with her