Community Quilt 142

11 05 2014

This pretty quilt was almost perfectly square, which was some achievement considering the triangular/bias blocks in the border! How to quilt it?

I started by stitching in the ditch around every stinkin’ coloured piece of fabric… Yep. Every one.

Then I auditioned some designs by putting a plastic sheet over the top of the quilt and marking on it with a marker, erasing, marking again, etc. until I got something I thought would work. The borders were always going to be cross-hatched to match the fabric seams and the angles of the little coloured squares in them, so that was easy. And I decided not to stitch the coloured fabrics, just the white space.

For the main star blocks, I did all sorts of things — 3-petal half flowers with a curlicue in the centre of the central petals; art deco style triangular type things in the squares (some facing one, some facing out), then finally big art deco style lines in the odd shapes.

I used my Line Tamer ruler for the cross-hatching in the borders, and for the very large outlines of the odd-shaped diamonds; everything else was free motion, including the stitch in the ditch straight lines.

I quite liked the overall effect.

(Click on a photo to view it larger)








Threads used:

  • Top: Fil-Tec ‘Glide’ (40 wt trilobal polyester, colour ‘Cream’ #20001)
  • Bottom: Fil-Tec Magna-Glide pre-wound bobbin (white)

Photos of all the Community Quilts I’ve quilted are here:

Community Quilt 141

11 05 2014

How to quilt this large quilt? I started by stitching in the ditch around all the blocks to stabilise it. Then I tackled the sashing strips and border as the fabric design ‘told’ me to do vertical stripey things. I added a spiral at each green corner join.

For the main blocks, I did a 3-petal flower type thing in the cream triangles. And then I came to a screeching halt. What to do in the 3-strip centre blocks?

I decided to alternate the motif, doing a curvy matrix in one, then a star in the other. The star goes from mid-point to opposite corner, to opposite mid-point etc. and I think it was quite effective. I used a soft green thread for these centres.

No rulers or marking pens were harmed in quilting this quilt 😉 It was ALL free motion. Even the stitch in the ditch… I’m getting much better at almost straight lines on my Sweet Sixteen.

This was a big quilt. I think it took about 6 hours to quilt.

(Click on a photo to view it larger)







The back:



Threads used:

  • Top: Fil-Tec ‘Glide’ (40 wt trilobal polyester, colour ‘Cream’ #20001); Madeira Rayon (40 wt rayon, colour 1047)
  • Bottom: Fil-Tec Magna-Glide pre-wound bobbin (white)

Photos of all the Community Quilts I’ve quilted are here:

Enjoying the green grass

11 05 2014

We had our first decent rains this week, and almost overnight the landscape went from dry yellow/brown to lush green shoots.

And the kangaroos are loving it! I see lots on my drive into town, but this week they’ve been much closer to the road, so I took a few photos, especially for my US friends 😉

roos02 roos01 roos04 roos03

There and back again

11 05 2014

On one of our trips to the US (2006) we visited family in Michigan. And as the weather was so nice, we drove up to the Mackinac Bridge and across it to the Upper Peninsula. However, despite the nice weather, pretty much everything in the little town on the other side of the bridge was still closed for winter.

On our drive north, we passed a tiny general store place with gas pumps and a sign that showed they sold Penfolds wines. Penfolds? In a little dot of a place in the middle of northern Lower Michigan? Penfolds is a HUGE wine brand in Australia and we’d previously brought over bottles of Bin 389 to give as gifts to friends only to find that Costco in Monterey, California sold them cheaper than we could buy them in Australia! Go figure.

So on the way back from the bridge trip, we stopped in at this little store to see what they had. And back in the liquor section, at the back of a shelf, we found two bottles of 2001 vintage Penfolds Bin 389! For $21.50 each (USD). Even with the exchange rate at the time, that was still MUCH cheaper than we could buy it in Australia (it was about $50 a bottle in Australia then). So we bought the two bottles. I checked first with the clerk that the price was correct and he said it was. After he’d completed the transaction, I told him that it was half the price we’d pay in Australia, which is where the wine was from. Unbelievable. (See for the full story)

We bought these bottles back to Australia with us on our return. And put them away.

Last night, some eight years on we pulled one out to have with a lovely roast pork dinner I was cooking for my parents for Mothers Day. My husband filtered and decanted it in the afternoon so it had plenty of time to breathe.

And it was amazingly good. Not a lot of nose, but the taste. OMG. The taste! Smooth, with hints of black pepper (I’m not much into flowery wine language!). It went down an absolute treat.



Decanted and ready to pour


Still had the price sticker from the US on it!



And proof that this Australian wine was purchased in the US. Australians purchased it in the US for less than half the price Australians pay for the same wine in Australia. Go figure.

Community Quilt 140

5 05 2014

This smallish scrappy quilt had a lot going on — different blocks, various colours and shapes. How to quilt it?

I started by stitching in the ditch around each block in a dark brown to match the sashing. Then I did the same to each diamond in the border, using a tan poly-cotton thread. Then I added detail to the border free stitching ‘straight’ lines from the centre point of each triangle to the centre point of the join, creating a chevron effect.

Next, I tackled the heart blocks, McTavishing around each heart in an off-white/cream thread. I left the hearts unstitched so they would puff. I also left the dark brown sashing unstitched. Then I changed to a variegated brown thread and did cathedral windows in the 9-patch blocks. Finally, I did some large and small stars in the centre 9-patch blocks, also in the variegated brown thread.

(Click on a photo to view it larger)


Centre block:


quilt140_02 Border:



The back:


Threads used:

  • Top: Dark brown: Robison-Anton ‘Best Brown’ (40 wt rayon, colour 2566); Variegated brown: Fil-Tec Affinity ‘Brunette’ (40 wt, trilobal polyester, colour 60291); Cream: Superior Masterpiece (50 wt cotton, colour 151); Blue: Isacord (40 wt trilobal polyester, colour FB3842); Tan: Rasant (40 wt poly/cotton, colour 0862)
  • Bottom: Fil-tec Magna Glide pre-wound (white)

Photos of all the Community Quilts I’ve quilted are here:

Community Quilt 139

3 05 2014

This was a big, pretty quilt. All those soft pastels that matched perfectly, even though when you look closely at the fabrics, you’d wonder how checks and florals and other patterns would go together. But they did.

I quilted this with a variegated pastels cotton thread (and generated a LOT of lint in the process).

My initial thought was to do square and round spirals in alternating blocks, but I ended up doing something more rounded — a variation on the ‘open headband’ motif with flower shapes around each inner arc. I stitched in the ditch around all the blocks first.

(Click on a photo to view it larger)



The back:


Threads used:

  • Top: Fil-Tec ‘Harmony’ (40 wt cotton; ‘Spring’ colour 14062)
  • Bottom: Fil-Tec Magna Glide pre-wound bobbin (white)

Photos of all the Community Quilts I’ve quilted are here:

Lint. The reason I don’t like cotton thread.

3 05 2014

Some of my favourite threads to use in my Handi Quilter Sweet Sixteen are the trilobal polyesters, specifically Isacord and Fil-tec’s Glide thread. Why? They run through my machine like a hot knife through butter, rarely shred or break, and leave very little lint to gum up the bobbin case, the bobbin area, the tension disks, or the thread path. And thus they are less likely to throw the timing on my machine out, or cause the top or bottom thread to gain or lose tension while I’m in the middle of quilting. However, in my experience, cotton thread leaves a LOT of lint, and it can gum up your machine pretty bad and very quickly, potentially causing all sorts of problems.

Some people swear by cotton thread and won’t use anything else to quilt with, but I’m not in that school. Some also believe that if you have a cotton quilt, then you HAVE to use cotton thread. I’m not in that school either. (And if you want evidence why that ‘belief’ is a fallacy, go to Superior Threads website and take a look at the thread videos by Bob Purcell [Dr Bob]:

I quilted my most recent community quilt with cotton thread as it was the thread with the colour that best matched quilt top. And I had all sorts of tension issues at various times; ALL were related to the accumulated lint from the cotton thread. I had to clean the machine at least five times while I quilted this quilt.

Here are some photos I took of the lint prior to one of these cleaning sessions, with some advice on what bits I cleaned and how.


I try to clean and brush from the top down, so that any bits of lint and fluff that come off the top areas get swept up when I do the lower areas. I start with the tension disks. Although the thread is in in this photo, I usually remove the thread, loosen the tensions disks as far as possible, then give the disks a good brush — and a short sharp blow with my breath (compressed air would work too). This picture doesn’t show a lot of fluff, but one of the cleaning sessions I did earlier had this area heavily coated in fluff.


Next, I brush up under the metal housing where the lights are, then down the two shafts, around the needle screw, the needle, and the foot. There doesn’t appear to be a lot of lint on these areas, but you’ll be surprised how much comes out with a good brushing.


Now I pull out the bobbin. Note the fluff at the opening. What you can’t see is the flattened gunk behind the spring where the thread comes out.


Another view of the lint inside the bobbin case as seen through the opening.



I remove the bobbin (and blow off any lint on the bobbin), then slide an old pin in the small gap between the spring and the case. Jiggle the pin around in there and slide it all the way to the right to get out any squashed gunk. You might also have to put the pin inside the bobbin case and run it up the slit as there may be some lint stuck in there too, and that’s bad as it WILL affect your bobbin’s tension.




View of the small gap where I slide the pin. After cleaning the gap, I brush out the inside of the bobbin case to get rid of the all the accumulated fluff in there.


Next, I tackle the area around the bobbin housing. Look at all that nasty lint! I took this photo less than an hour after the previous cleaning. I give the bobbin housing area a good brush from underneath to remove what I can.



Because there was so much lint/fluff below, there’s likely to be even more inside the bobbin housing area. So remove the needle plate and brush out any visible gunk.


Gunk seen from above that brushing out from underneath didn’t get. I usually single press the presser foot a couple of times to turn the bobbin housing and get any more that’s hiding underneath.


The brush gets pretty gunky too, so remove as much as you can by hand.



However, every so often you’ll have to clean the brush so that all the accumulated gunk doesn’t prevent the brush from doing its job. I run a pin up from the bottom to the top several times to get out the embedded gunk.

You can see why I don’t like quilting with cotton!

See also: