Community Quilt 29

17 11 2012

This is the biggest quilt I think I’ve quilted on my Sweet Sixteen, so I had both wings of the table extended, and even then the quilt wanted to drop off the edges at times.

It was such a busy quilt and with heaps of colours (someone emptied her scrap bin?) in the nine-patch squares that I decided to do a simple all-over motif. And guess what? I went back to my favourite ‘open headband‘ again 😉

I used a thread I have only used once before, a variegated cotton in tans, greens, and golds. The thread blended beautifully with all the colours in the quilt, but boy, it leaves a LOT of lint and fluff, including in the top tension disks. I had to clean the machine’s tension disks, needle area, and bobbin case regularly with this thread. It snapped a couple of times, but not enough to make me not want to use it.

Threads used:

  • Top: Fil-Tec Harmony (‘Pistachio’ — colour 14066; 40 wt? cotton)
  • Bobbin: Wonderful Deco-Bob (80 wt, colour DB 115)

Click on a photo to view it larger.

 





Overlay taped onto HQ Sweet Sixteen table

15 11 2012

For those who were asking… Here’s a quick photo of my Handi Quilter Sweet Sixteen overlay taped onto the table, using painters tape.

And my thoughts on the overlay and the HQ Sweet Sixteen table height differential:

I have the overlay for my S16 so I feel I can offer some thoughts from a position of having used it as versus looking at pictures on the internet and assuming I know what it does etc.

It’s retail price in Australia was about $100 (I think it was $99). I don’t know what the price is in the US.

Do I regret buying it? Not a bit! Do I use rulers? Hardly at all. Did I use the SupremeSlider? Yes, but I don’t now. Were my quilts getting ‘caught’ occasionally on the table? I didn’t think so, but since having the overlay they move much more smoothly over the surface and therefore under the needle. The overlay is not a laminate or melamine – I don’t know what it is, but it’s very smooth… much smoother than the SupremeSlider. I’ve also sprayed the overlay with silicone spray and that makes it doubly as smooth.

Did I try various methods of lowering the height of the machine? Yes, but with little success (anything paper-based was going to squash down over time), and removing the rubber feet was awkward (though likely a one-off task). Why did I want to lower the machine (or raise the table)? Because there are two issues – one was that the machine base was just a tad too high (and this affects ruler work, but remember, I rarely use rulers); the other was that there’s a slight gap between the table and the machine as there has to be as the machine throat base is slightly curved and table is square. And sometimes a quilt gets caught in that gap. And lint gets caught in that gap. With the overlay, there’s NO GAP for anything to get caught in and the height difference between the machine and table is eliminated.

Could HQ design a better match between the table and the machine? Perhaps. But from what I’ve been reading here, some people say the height is too high by 1/16 or 1/8 or ¼ an inch, while others say it’s too low by similar amounts. How does HQ deal with that? To be honest, I think the real problem that HQ have is with the rubber feet. If those feet come from the manufacturer in slightly different sizes or are screwed in slightly differently from one machine to another, then each machine will sit in the table in a slightly different way. If, for future purchasers, HQ raise the height of the table a tad, will it actually solve the problem if the problem is really with the height and setting of the rubber feet? And don’t forget that the feet may well compress a little over time, and you’d still end up with a height differential between the table and the machine again. Has anyone used one of these sit-down machines for 5 or 10 years – long enough to see if the feet compress over time?

As far as the Tiara is concerned, I’ve only seen the same pictures/videos on the internet that people have shared over the past few days. And as someone who has the overlay, I can categorically state that all the pictures/videos of the Tiara I’ve seen ALL HAVE THE OVERLAY. Babylock have done nothing different with the table that I can see.

One final thing about the overlay… My dealer advised me NOT to secure it permanently with the tape that’s supplied as she said it WILL tear the laminate on the table top if ever I wanted to take the overlay off. I followed her advice and have it secured with about 10 small strips of blue painter’s tape (see above), which I can add/remove at will – cheap, quick, easy. Though having used the overlay now, I would never go back to quilting on the ‘bare’ table.

Remember, I don’t do ruler work but in my opinion the overlay is worth every cent I paid for it. And in my opinion it’s an optional extra (like in a car), just like the TruStitch is an optional extra.





Community Quilt 28

12 11 2012

The last of the four quilts I quilted this weekend was another appliqued quilt, this time with a theme of angels. Like the bunny quilt, this one had panels where the applique was the most important element, and I wanted to make these appliqued angels ‘pop’. But I was a bit over stippling! So this time I decided to do some McTavishing. If I thought small stippling took a long time, then McTavishing blew that out of the park — it takes MUCH longer. I think it probably took about six or more hours to quilt this quilt.

For those who don’t know what McTavishing is, it’s the flame-like quilting I did in the applique panels. It’s a technique that was developed/promoted by long-arm quilter, Karen McTavish.

I left the borders unquilted as I felt that this quilt didn’t need any further quilting! However, I did ‘stitch in the ditch’ around the blue star fabric border, just to stabilise this area.

Threads used:

  • Top: Superior King Tut ‘Papyrus’ (color #972), 40 wt (?) cotton
  • Bobbin: Wonderfil Deco -Bob, 80 wt, color DB 205 (pale pink)

Click on a photo to view it larger.


 





Community Quilt 27

12 11 2012

The next quilt in the batch I quilted this weekend was a fun one! Cute little bunnies were appliqued all around the quilt, and the bright sunny yellow sets off the applique work of the maker really well. The child who is likely to receive this quilt will love it, I’m sure.

To make the appliqued objects ‘pop’, particularly in the centre panels, I quilted with a quite tight stipple (not a micro stipple, but not a large stipple either). I used a larger stipple on cream border panels, and a large leaf motif on the yellow outer border. All that small stippling meant that this quilt took several hours to quilt.

I tried to ignore the spelling errors…

Threads used:

  • Top: Superior King Tut ‘Papyrus’ (color #972), 40 wt (?) cotton (the cream thread); Isacord, 40 wt polyester, color 0506 (yellow)
  • Bobbin: Wonderfil Deco-Bob, 80 wt, color DB 115

Click on a photo to view it larger.


 





Community Quilt 26

12 11 2012

As I already had the thread loaded up for Community Quilt #25, I went straight on to this one as the colours were similar. This was a much smaller quilt (42 x 42 inches I think), so it didn’t take too long to quilt, especially as I used another favourite allover quilting motif — the one I call ‘open headbands‘. This meant I didn’t have to think a lot and could go faster than usual (I think I had the speed set to 60% for this one). I’m glad I kept the lighter bobbin thread in for this one as I think it adds a lot of ‘texture’ to the back.

Threads used:

  • Top: Superior Rainbows variegated thread in a blue, reddish tan and cream; 40 wt, color 814
  • Bobbin: Wonderfil Deco-Bob pale gray thread; 80 wt, color DB 103

Click on a photo to view it larger.

 





Community Quilt 25

12 11 2012

I had a bit of a quilting binge this past weekend! The weather was pleasantly cool, which meant I could venture into the sewing room (summers here are cruel). I don’t know how long I’ll be able to do that for, so I’m trying to get as many community quilts quilted as I can before the heat of summer really sets in and it become too hot to quilt (ambient temperature plus the heat of a quilt sitting on your lap…).

I was able to get four of the latest batch of my community quilts quilted. I think I’ve got my system worked out now — it worked well for this weekend, anyhow. I ironed the backing and top while watching TV, then pin basted the quilt on the wide kitchen counter still while watching TV (the TV is on the other side of the family room and I have a good view of it when I need to look up). I then roll the quilt up and put it in the sewing room, ready for quilting. Repeat for the other quilts. I’ve only got enough quilting pins to do about four largish quilts. But ironing and pin basting a batch like this (while watching TV) meant that when it came time to quilt I didn’t have to lose an hour or more PER QUILT doing those tasks. It also meant I got some TV programs I’d recorded ‘watched’. In fact, I ‘watched’ the whole 2.5 hours of the movie, “Angela’s Ashes” plus another two hour-long shows, while doing the ironing and basting. Sitting just watching TV always seems like such a waste of time, so combining time like this was a good move!

The first quilt of this latest batch was a large lap (single bed?) quilt, in blues and reds. It was already a pretty ‘busy’ quilt, so I just did a large allover stipple on it. Because I can stipple quite well these days ( my first efforts five years ago looked like jagged brain coral!), I set my HQ Sweet Sixteen to 70% speed (yes, that’s fast for me — I normally quilt about 35% speed) and off I went. A couple of hours later and this quilt was done.

Threads used:

  • Top: Superior Rainbows variegated thread in a blue, reddish tan and cream; 40 wt, color 814
  • Bobbin: Wonderfil Deco-Bob pale gray thread; 80 wt, color DB 103

Click on a photo to view it larger.

 





Community Quilt 24

26 10 2012

I wasn’t sure if I’d have time to quilt the last community quilt in the batch of 11 that Lisa gave me in September. But I had a couple of hours this afternoon, and I’d already pin basted it last weekend (that saved me at least an hour).

The only way I was going to get it done in a few hours was to do an all-over motif in a single thread. And a motif that I could do easily and didn’t really have to think about. No rulers, no markings, and nothing too complicated.

The quilt top was lovely — such bright colours and the entire thing was hand-pieced!!! Who know how many hours it took the maker to make…

I decided on a purple/pink thread (King Tut ‘Egyptian Princess’, colour #403), with a pale pink (Deco-Bob) in the bobbin to match pale pink backing fabric. And I decided on what I call an ‘open headband‘ motif.

Here’s the result (click on a photo to view it larger):

And here’s a bit of the back:

 





Community Quilt 23

23 10 2012

This was the last quilt I had time to quilt at the retreat last weekend (yes, it was a four-day weekend…). And what a beauty it was! The colours, while they aren’t ‘my’ colours, were just gorgeous and the fabrics harmonised so beautifully. This was just a simple 9-patch quilt, but the effect of the colour wash from dark on the outside to light in the centre is just stunning.

I knew I wanted to quilt it with an all-over motif and in a thread that would not detract from the beautiful fabrics. My friend Bobbie had *just* the thread — ‘Driftwood’ from Fil-Tec (Harmony range), which was a variegated thread in soft maroons, creams, tans and with a hint of blue/grey. It was PERFECT for this quilt — the light parts showed well on the dark fabrics and the dark parts showed well on the light fabrics, creating a reverse colour wash effect to the quilt top.

Glenys suggested a large leaf motif as there were leaves in the lighter fabrics, so that’s what I did — leaves and vines and curly bits.

Click on a photo to view it larger.

And the back:

 





Community Quilt 22

23 10 2012

What a pretty quilt top this one was! I really liked the colour wash that used much of the colour palette, and the sharpness of the piecing against the crisp white background.

I followed my friend Michelle’s suggestion for doing straight, simple lines in various variegated threads in this quilt. I liked the effect of ‘squares within squares’ that the straight stitching created (yes, I used my Line Tamer ruler to do the straight lines!). Along with Community Quilts 18, 19, 20, 21 and 23, I also completed this one at my quilt retreat last weekend.

Click on a photo to view it larger.

 





Community Quilt 21

23 10 2012

Wow! This quilt top was just stunning! So much work had gone into it — all of the appliques were hand stitched. It deserved some serious quilting, so I experimented with different motifs and designs in the different areas of the quilt — and I had my first attempts at using a scallop ruler. The scallops look fine from a distance, but don’t get too close as some are a little wonky!

Some of the various quilting techniques and motifs I used on this quilt included:

  • stitch in the ditch around all the applique pieces
  • McTavishing in the black centre square
  • leaf and vine motifs in the first black border, with flowers in the open part of the baskets (all black on black so hard to see in photos!)
  • ‘piano key’ straight lines (using a straight ruler — Line Tamer from Four Paws Quilting)
  • scallops in the outer cream border (using a scallop ruler from Handi Quilter, courtesy of my friend Michelle)
  • Diane Gaudynski-style feathers in the large outer black border

I only used black and cream threads throughout as it was important that the quilting enhanced the quilt top without overpowering it. This quilt took about 12 hours to complete.

Click on a photo to view it larger.